Wednesday, 13 July 2011

Musings of…



Date: 13 July 2011
Location: Ye Winter Palace, Bow, London

As I sit here looking out the study window, a glass of Bushmills Black Bush in one hand and a glass of Guinness Original in the other, I am reminded, by my muse, that I haven’t created anything of late, that I haven’t ‘done any work’.
“Au Contraire.” I reply, “Why, only this morning did I decorate the wild grasses, that are growing in my window box, with bronchial phlegm… dried in the sun they resemble the leapfrogging of a snail. No slimy trail is this, rather more like a slimy hop-scotch.”
My muse is not impressed.
“Okay, how about the soft-boiled eggs I made for lunch?” I say.
Muse gives me that sideways glance which speaks a thousand words.
I tap tap fingers on the surface of my desk. Claws on black rubber. Clickity clack clack clickity.
Growl!
Snarl!
Stare out the window.

I sculpt 3D tentacles that wind and wynd through and out the buildings as spiders mechanoid scirtch scratch and eat the toes of the kids on the next block. I spray paint - marking territory like a city fox or sorcerer feral - “KILROY WOZ EAR!” across the houses/car-park/grass. Font size 2.333 meters.

I take another slug of the Black Bush.

I turn my head to enquire of Muse as to Its commentary, Her critique, His pat on back… Owl intercepts gaze and does the funky brass-feet shuffle I have come to know so well… gives me the sideways glance that eats a thousand words.

An ellipsis, suspension point, replaces a thousand words…




Three thousand words later I find myself, at my desk, in my study… sans tentacles… plus flies.

Scirtch scratch… scirtch scratch…

The Blue Duck sighs…

“Wot?” I ask.

“Wot, wot?” Blue Duck asks, answering a question with a question.

“Why not wot?” I reply, ditto as to answering with…

“Why a duck?” Blue Duck asks.

“How else is one going to cross the abyss?” I reply, answering question with question.

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Interlude:


“DEATH TO ELLIPSES!” – gRAphFiji on an island.


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Take 2


“Make the skeleton dance one more time.” She says.

He stretches… growls… takes a slug of Bush… sighs!

He rubs his third eye with forefinger and thumb, can feel the whiskey in the back of his throat, tears exploding in his fore-brain darts that feed the atavisms whom lurk… moments beneath.

“Why?”

He breathes out.

“To what end?”

He breathes out.

Growls!

He breathes in.

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Part the Third


Which part has nothing to do with Richard, and everything to do with toads.


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finis

Monday, 18 April 2011

Madness & Old Tat

Sorting through the pile of stuff behind me, I come across two pages of a book… torn out and folded:
“… for having contracted the softness, the habits and women; there is lacking only a resemblance stitution. Excessive use of humectants imitates the metamorphosis and makes alike in the physical as in the moral human race, if this prejudice extends mon people; there will be no more diers, for they will soon be rob vigor necessary to their …”
Turning leave the next says: “…Showers, hitherto less used than baths become the favoured technique. And parade regains, beyond all physiological variations ceding epoch, its simple function of purification quality attributed to its violence, an irresistible away all the impurities that form madness, it reduces the individual to his sister merest and purest form it is matter…”

Fragments, fragmented menses… of Foucault

The ex-wife texts me and seeks solace through the familiar. I inform her that I am anything but familiar.

Sloughed skin of badger’s paws stinking in the dawn… pestles and porter whom carries your bags… feathers of Maat and suicides go splat… ink thinks and squids do the dinky dink dance on top of Mr. Stick… it matters ‘cos it's a harmony in my head… It's a harmony in my head… 

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18 Apri 2011
(c) David Blank

Sunday, 9 January 2011

Sloughing towards...

Nuzzling, I kiss the cheek of the Jew
The arse of the sodomite
Slithering and sliding, I rub butt cheeks with the Pope
And feast from the dead corpse of Mr. Calvin
Slipping and a purring, I drink wine with Bacchus
And eat the cock of Osiris
Growling and pawing, I wait at the X-roads
And stroke the hair of the dead



 Bow, London. 9/1/11
David Blank

Wednesday, 1 December 2010

Riding the Dragon: Chapter V

Chapter five: The final draught was bitter.


Riding the Dragon

Chapter V



The dog curled around the hoofs cloven in red shoes and forgot all about the scent, that incense, witch had called it… warm now ‘neath the cage crinoline enwrapped with linen… a shroud.





© David Blank 2010


Riding the Dragon: Chapter II

Second draught of the barrel

Riding the Dragon

Chapter II


Tasked by the demon to continue, what is the writer to do… does he permit his reason to intercede on his behalf and fabricate, or does he delve deeper beneath the skirts of his muse and let the demon get on with its job?
I tend towards the latter, always have done and always shall. It is simply my way, my tao.
As such, I shall let the demon get on with its job, whilst I do what I do best; explore the more intimate garments of a ladies apparel.

The Cage Crinoline…

The wolf nosed the trap, the cloven hoof concealed ‘neath drew it onwards… the scent of metal sweat dripped with fleshly confinements…
The wolf sniffed the air… growled… its head leaning, turning, ever so subtle… risen maw snarled…

Meanwhile, the demon flicked through the rolodex… flick… flick… flick…




© David Blank 2010


Riding The Dragon: Chapter I


Below is the first draught of chapter I of a book; that earlier today decided that it wanted to be written.

 
Riding the Dragon

Chapter I


When I was a young man, faced with a blank piece of paper, I would search for that first line. I would for hours, sometimes for days or weeks even, quest for that elusive sentence, or fragment, the key-note… for what followed did so, much as a centipede’s segmented body follows its head. Or, does the head of the centipede, perhaps, simply go where the body impels it?
Sometimes, often even and especial, when I was enwrapped in the skirts of my muse, it wasn’t necessary to search, for the line arrived unbidden… a demon manifest in the circle of arte that is a blank piece of paper.  And, much as with demons, the line or fragment would task one and seek to enter into an agreement, or pact, with one. After all, is it not the writer whom conjured forth that demon and as such does not the writer have a responsibility towards it… to nurture it, feed it, even, in time, to send it out into the world that it might take up residence in the minds of others?
But surely, one may ask, it is not the demon whom tasks the conjurer, but rather the conjurer whom tasks the demon?
Ah, such innocence…

So, the young man finding the demon before him on the blank page, was impelled to trace a sigil with words, words that spelled out his fate. For is it not said that the true poet doth pen his own… but, and here’s the rub, is that spell he weaves truly his own, or is it the demon’s?

Indeed, did the young man in fact conjure the demon, or did it emerge when he wasn’t looking, when his head was up the skirts of his muse, counting her petticoats?

These questions, and more, we shall explore as the pages unfold… and much as with a lady’s petticoats, in time, we may find the whore beneath; underneath; nether the garments.




© David Blank 2010

Thursday, 21 October 2010

The Cellist

The orange decadence of the spectacle assaulted his subtle stick which quivered and drew the bow to fire an arrow deep into her flesh which tore and peeled from bone and hip and back and spine and rib and stick slipped and shod the very flesh ‘till all that remained was muscle bound red ribbed.

Lick lips.

Paws clawed slide ‘neath the flesh and nail doth gather the fat which in time he sucks like marrow from the butchered lamb.

His groin doth stir rising upward to snake her spine and lick.

Meanwhile, her bow strung with the hair of bastard children bends the gut of her cello.

He slips his hand clawed ‘neath her spine and rips her soul. Kisses It.

She bows the gut of a thousand kids strung on the body of a Henry Ford.


00.03hrs 21 October 2010
(c) David Blank 2010